Phoebe Sinclair is the Director and Co-Writer of ‘Swipe Right’. This project marks her debut as both a director and writer. She has utilised her artistic skills in developing strong visual aesthetics and draws from her extensive experience in production design to assist her in realising the rich, saturated visual style, and the dark, moody and romantic (with a hint of unnerving tension) tonality of the film’s world. Phoebe is passionate about telling stories that challenge audience expectations and pushes storytelling limits; ‘Swipe Right’ is an ode to feminine rage and highlights her drive to present fresh perspectives in her storytelling practice.

As producer of 'Swipe Right' Harrison has collaborated extensively with every crew member of the team. He was originally enticed by the project's rich narrative and was eager to work with the dedicated and talented crew that had begun to form. Having previously shot, produced and directed an array of short films, Harrison has enjoyed this opportunity to hone his skills in collaboration with producer Caitlin to support the crew's ambitions and needs for this film. Whilst the production of this film has posed a myriad of challenges, Harrison has been able to tackle these challenges head on to ensure the film was made safely, and in a way that doesn't compromise the crew's artistic vision.

As a Producer of 'Swipe Right', Caitlin is extremely excited to be working on a bold and challenging film that further enhances her producing experience. Caitlin has previously produced a number of short films and has a background in directing and marketing. Caitlin is a driven producer who aims to prioritise the creative vision of the film before all else to ensure the crew can achieve their own personal and team goals for 'Swipe Right'. Caitlin will work alongside co-producer Harrison to ensure a safe working environment for all crew members, as well as collaborating with director Phoebe to bring her vision for 'Swipe Right' to life.  

Bella Henry is a Co-Writer of ‘Swipe Right’. She is extremely passionate about telling stories in bold and boundary pushing ways, striving to make her mark within the film industry. Already an award-winning filmmaker, Bella is driven to bring fresh perspectives and non-traditional elements to her storytelling. With professional experience in the PR and advertising industries, Bella utilises her varied skills to aid in the project's marketing and promotional pursuits. As a writer of ‘Swipe Right’, Bella draws from her own experiences and abstract humour to bring a quirky lightness to this otherwise dark story.

John Larkin has worked for over 7 years in the film industry as a director, cinematographer, editor and producer across a wide range of narrative films, music videos and advertisements. Collaborating with artists and brands such as i.am.gia, Volley, Ocean Grove and Eco$ystem, he has honed his understanding of the visual medium and developed an in-depth knowledge of cinematography and lighting techniques. He was drawn to 'Swipe Right' by the necessity and challenge of combining elements of realism with a heightened visual depiction of narrative events.

As Production Designer of ‘Swipe Right’, Charlotte Dobson draws from saturated colour palettes to inform a rich visual style with detailed set design, effective use of costume and a curated selection of props incorporated throughout the film. Charlotte's skills and background in photography, art direction, graphic design and digital image-making assists her in achieving the visual and stylistic concepts of film and enables her to successfully adhere to the director’s vision and lead the production design department of ‘Swipe Right’ with confidence.

Jeremy Clay is the Sound Designer of 'Swipe Right'. Jeremy is passionate about utilising sound in experimental ways to heighten tonal shifts and fuel narrative events. He is invested in finding new ways to push the conventional boundaries of sound design and storytelling techniques. On 'Swipe Right' Jeremy has worked to develop a sound design that enhances the dark, moody and romantic tone of the film. With previous experience in the sound department of film projects, Jeremy draws from well developed skills to enhance the project's style and adhere to the director’s vision.